Using his favoured trapezium shape, Daniel Farioli depicts an ancient figurative vase, distorted to fit into the shape of the frame.

This image is from Farah Mahbub's series of photographs taken in the historic city of Lahore. Mahbub is deeply drawn to mysticism and Sufi philosophy which is reflected in the manner she see beauty within every subject she photographs, be it architecture, nature or people.

Sarah Mumtaz's whimsical world is full of characters like birds and bees, furry bunnies, fish, donkeys along with her self portraits which posses a somber but at the same time humorous air. Her work is a reflection of her own personal narrative, glimpses of which we see mirrored in the these curious characters. Her mastery over the medium of pen on paper, the sensitivity with which she renders the marks on paper echoes the emotion and force of the artist.  

Mohamed Rabie constantly extracts concepts and themes from his Egyptian heritage, translating them into a contemporary visual. The simplicity of these visuals makes the viewer immediately connect with the characters depicted in his paintings. The treatment of the ground and the wallpaper together with the fabric prints, create a captivating mix of  colours and lines.

Daniel Farioli plays with the perspective and questions reality in his paintings. The verticality of the and the unnatural blue gradation is in complete opposition to ones perception of perspective. The typical trapezium shape of Farioli’s frames gives to the landscape another dimension.

Antoine Grospiron-Jaccoux uses silver-based photography and plays with the uncertainty of the result.  He often plays with the nature elements, wishing to disrupt a figurative element to an abstract image.

Daniel Farioli plays with the perspective and questions reality in his paintings. The verticality of the and the unnatural blue gradation is in complete opposition to ones perception of perspective. The typical trapezium shape of Farioli’s frames gives to the landscape another dimension.